net-cultures :: máš hlavu a chuj, tak kombinuj!


node:	net-cultures
template:	3
parent:	politika.spolocnost.media.historia .alt
owner:	dusanson
created:	30.12.2006 - 17:31:00
updated:	23.05.2008 - 19:40:46

cwbe coordinatez:
866
1551575
2834359

ABSOLUT
KYBERIA

permissions
you:	r,
system:	public
net:	yes

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net culture / network culture / sieťová kultúra
(kolaboratívny research)

http://kyberia.sk/net-cultures

http://kyberia.sk/net-cultures/rss

projekty - história sieťového umenia 1 a 2 a 3, sieťové projekty, sociálne siete, web 2.0 služby

dlhodobé sieťové projekty a organizácie - node.london (*04), netznetz.net (*04), multiplace (*02), institute of network cultures (*04), institute for distributed creativity (*04), kyberia.sk (*01)

teórie/koncepty - organizované siete (05, lovink), distribuovaná estetika (05), bezškálové siete (02, barabási), postprodukcia (00, bourriaud), actor network theory (86-87, callon+latour), dočasná autonómna zóna (85, bey), relačné estetiky (82-98), informačná spoločnosť

knihy - delusive spaces (07, kluitenberg), the exploit (07, galloway), organized networks (06, rossiter), wealth of networks (06, benkler), netzmusik (05, föllmer), at a distance (05, ed. chanlder+neumark), media ecologies (05, fuller), telepresence & bio art: networking humans, rabbits, & robots (05, kac), reassembling the social (05, latour), network culture (04, terranova), free culture (04, lessig), six degrees (04, watts), telematic embrace (03, ascott), freie netze (03, medosch), dark fiber (02, lovink), linked (02, barabási), information age (96-98, castells)

teoretici - geert lovink (*59 nl), matthew fuller (en), manuel castells (*42 es/us), yochai benkler (il/us), ned rossiter (au/en), lawrence lessig (*61 us), inke arns (*68 de), lev manovich (*60 ru/us), florian cramer (*69 de), armin medosch (*62, at/uk)

mailing listy - nettime (*95), spectre (*01), idc (*04)

ikony k linkám:

projekt/služba,

PDF k voľnému stiahnutiu,

text,

text e-mailu,

noticka o knihe (prípadne možnosť kúpiť),

blog,

domovská stránka človeka

00000866015515750283435907176002

MULTIPLACE no. 12 @ A4, BA // 18-24/05
network culture festival // new media art // concerts // performances // presentations // exhibition & more

18 Sobota
19.00 HOTKAROT RIOT (CZ) / performance, prezentácia / vstupné dobrovoľné
Kľúčové slová: citizen science, veggie revolution, experimental gastronomy, hacktivism. A ešte humor. Pražská grupa technologicko-kulinárskych geekov, umelcov a aktivistov verejného priestoru Cancel 365 predvedie na zapojených mrkvách svoju vtipnú i technologicky inšpiratívnu elektro-hudobnno-gastronomickú performance, uvarí svoju vyhlásenú špecialitu HotKarot & OpenSauce a porozpráva o svojich projektoch. “Když nemáš BIODATA, dej tam ňáký jiný data.” Príďte ochutnať!
http://www.opensauce.cz/

18 Sobota
21.00 FRISK FRUGT (DK), TURBOSAMPLER (SK) / koncert / 5 € / 4 €
Frisk Frugt v preklade znamená čerstvé ovocie. Stojí za ním sympatický Dán Anders Lauge Meldgaard, ktorého sme zavolali na Multiplace, aby nám dokázal, že pop môže byť aj kreatívny. V jeho farebnom hudobnom vesmíre sa stretávajú miestne ľudové piesne s elektronikou, experimentálnym rockom, drónmi, psychedéliou aj jazzom a všetko je to podporené vlastnoručne vyrobenými elektro-mechanickými nástrojmi. Frisk Frugt zahviezdil na slávnom festivale v Roskilde 2011 so strhujúcou polyrytmickou kapelou, na Slovensko zavíta v zostave s bubeníkom.
Celkom iný spôsob vysporiadania sa s popom zažijeme s projektom Turbosampler – Jakub Pišek v štýle divokej mashup-cut-up estetiky digitálne pľundruje a granulárne dehonestuje, čo sa dá i nedá. Výsledkom je všetko iné, len nie nuda.
http://qujunktions.com/artists/frisk-frugt
http://kubriel.servus.at/index.php?s=turbosampler

19 Nedeľa
19.00 MULTIPLACE EXPO / vernisáž, projekcia, prezentácia / vstupné dobrovoľné
Jednodňová vernisáž aj finisáž digitálneho umenia. Jan Nálepa a Denisa Richterová, obaja momentálne študujúci na Pražskej VŠUP v ateliéri Supermédiá u Federica Diaza, nám ukážu ako funguje tamojšia multimediálna scéna. Jan uvedie projekt, ktorý prezentoval na tohtoročnom art-sci-tech bienále ENTER v Prahe a Denisa vytvorí inštaláciu určenú priamo pre priestory A4. Boris Vitázek a Zuzana Sabová z VŠVU predvedú hudobný nástroj Grafofón, interpretujúci grafické partitúry “na bežiacom páse”. Interaktívne dielo Vysávanie od slovenského umelca Ivana Dudáša prezentuje jednu z posledných umeleckých stratégií v kontexte tvorby pracujúcej s archívnymi zábermi. Zuzana Husárová a Ľubomír Panák predstavia interaktívnu aplikáciu Obvia Gaude, vytvorenú pre tablet s dotykovým displejom. A k tomu na záver impozantná trojkanálová videoinštalácia Rear Window Loop od luxemburského umelca Jeffa Desoma, ktorá je remixom filmu Alfreda Hitchcocka Rear Window. Scény z neho autor vystrihol a poskladal do jediného panoramatického obrazu, kde sa paralelne dejú všetky udalosti (cena Golden Nica na festivale Ars Electronica 2012).
http://www.vsup.cz/cs/volne-umeni/atelier-supermedii
http://kyberia.sk/id/6677184
http://zuz.husarova.net/post/46235556973/application-obvia-gaude
http://www.jeffdesom.com/hitch/

20 Pondelok
17.00 V4 CATCH FORUM ECHOES / prezentácie / vstup voľný
V spolupráci s pražským centrom pre umenie a technológie CIANT sme pripravili prezentáciu stredoeurópskych media labov a projektov, prakticky sa venujúcich (okrem iného) výskumu, kreativite a technológiám vo vzťahu k handicapom. CIANT, media lab Kitchen Budapest a ďalší odprezentujú zaujímavé a inovatívne projekty, ktoré posúvajú hranice v tom, ako môžu byť technológie a umenie užitočné pri rôznych druhoch postihnutí. S podporou Visegrádskeho fondu.
http://www.ciant.cz/
http://www.kitchenbudapest.hu/

20 Pondelok
21.00 KOLÍNSKA NOC / performance / 3 €
Balz Isler, Andreas Hirsch, Yvonne Klasen, Tina Tonnagel, Max Erbacher, Stefanie Klingemann
Skupina umelcov z nemeckého Kolína kreatívne prepájajúcich viaceré médiá prichádza so sériou kúskov pohybujúcich sa medzi koncertom a multimediálnou performance: dva meotary a rôzne mechanické zvukové generátory, quicktime multikoláž, domácky vyrobené nástroje, live sampling, projekcia. Viac info na www.a4.sk.
http://www.tinatonagel.de
http://www.balzisler.org
http://www.hirschonhirsch.com
http://www.treespeedmusic.com
http://www.yvonneklasen.com

21 Utorok
18.00 ARTIST TALK: MATEJ VAKULA / prezentácia / vstupné dobrovoľné
Matej Vakula pôsobí na Katedre intermédií a multimédií VŠVU. Vo svojej intermediálnej tvorbe skúma spôsoby, akými je používaný a politizovaný verejný priestor. Jeho umelecký výskum je založený na princípoch do-it-yourself či open source, ktoré aplikuje na problematiku verejnej sféry, reflektujúc tematiky bezpečnosti a slobody, globálneho a lokálneho, privatizácie, politického a osobného atď. Jeho ambíciou je prispieť projektmi, založenými na využívaní nástrojov umeleckej intervencie, performance, zdieľania, softvéru a internetového umenia, k pozitívnej zmene spoločnosti.
http://www.vakula.eu

24 Piatok
20.00 KRAKATOA – TALK CLUB: ANDREJ BOLESLAVSKÝ / prezentácia, diskusia / 1 €
Neformálny večerný ne-formát, kde pozvaný hosť, ktorý vidí ďalej ako za svoj nos, rozpráva o tom, prečo, ako a čo robí. V príjemnej atmosfére sa môžete porozprávať a socializovať s inšpiratívnymi ľuďmi z art / sci / tech scény.
Andrej Boleslavský je výskumník a umelec nových médií, v súčastnosti pracuje v Prahe v Mezinárodnom centre pre umenie a nové technológie - CIANT. Venoval sa vývoju počítačových hier, špecializuje sa na kreatívne platformy VVVV a Arduino, pomocou ktorých realizoval technologické riešenia pre niekoľko umeleckých projektov, napríklad The Experiment Arctic predstavený na festivale Ars Electronica. Andrej príde povedať, čomu sa momentálne venuje a čo je nové v CIANTe. Afterparty: DJs Tlis.sk. V spolupráci s Mladým psom, n. o.
http://www.id144.org/
http://www.ciant.cz

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zdravim, potreboval by som poradit co najlepsie knihy z oblasti marketingu na socialnych sietach. je jedno ci v anglicitine alebo po nasom, v anglicitine idealne take ktore sa daju zohnat ako ebooky, ale to uz si mozem pohladat aj sam. jednoducho cokolvek co sa hodi na vyskum v oblasti tohto druhu marketingu. vopred vdaka

00000866015515750283435907042543

We are delighted to invite submissions for

Arts, Humanities, and Complex Networks
— 4th Leonardo satellite symposium at NetSci2013

taking place in Copenhagen at DTU – Technical University of Denmark,
on Tuesday, June 4, 2013.

Submission:
For submission instructions please go to:
http://artshumanities.netsci2013.net/

Deadline for submission: March 31, 2013.
Notifications of acceptance will be sent out by April 8, 2013.

Abstract:
The overall mission of the symposium is to bring together pioneer work in the overlap of arts, humanities, network research, data science, and information design. The 2013 symposium will leverage interaction between those areas by means of keynotes, a number of contributions, and a high-profile panel discussion.

In our call, we are looking for a diversity of research contributions revolving around networks in culture, networks in art, networks in the humanities, art about networks, and research in network visualization. Focusing on these five pillars that have crystallized out of our previous meetings, the 2013 symposium strives to make further impact in the arts, humanities, and natural sciences.

Running parallel to the NetSci2013 conference, the symposium provides a unique opportunity to mingle with leading researchers in complex network science, potentially sparking fruitful collaborations.

As in previous years, selected papers will be published in print, both in a Special Section of Leonardo Journal MIT-Press and in a dedicated Leonardo eBook MIT-Press.
Cf. http://www.amazon.com/dp/B007S0UA9Q

Abstracts of papers from previous years are available at:
http://ahcncompanion.info/

Best regards,
The AHCN2013 organizers,
Maximilian Schich*, Roger Malina**, and Isabel Meirelles***
artshumanities.netsci@gmail.com
--

00000866015515750283435906913513

250K for two students to do their PhD degrees with Lev Manovich at CUNY

I am looking for two exceptional individuals who want do their PhDs with me at CUNY Graduate Center beginning in Fall 2013 (or Fall 2014).

http://lab.softwarestudies.com/2012/11/250k-for-two-students-to-do-their-phd.html

00000866015515750283435906867809

Neviete niekto o nejakej web implementacii Project Xanadu alebo podobneho hypertext systemu? K dispozicii je len win verzia z 2007 a jedno video co vyzera ako parodia TED/prednasok Brian Eno.

Tiez hladam akekolvek info o podobnych veciach plus nejake kyberia nody (nic som nenasiel).

Dakujem

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408064_10150746977179572_532819571_12247171_126822092_n.jpg

0000086601551575028343590661723406618701

hmm...

je multitasking bug alebo feature?

000008660155157502834359066172340661870106618709

bug.. ked ho treba vyuzit uzitocne, tak sa neda

0000086601551575028343590661723406618398

někecaj .)

ed: to druhe je vizualizacia schodze zdruzenia 4AM:)

0000086601551575028343590661723406617624

...je zřejmé, že Boys nejsou dosud připravení na internet,
popírají základní myšlenku ... když vypadne jeden uzel, celá diskuse je v háji =)

000008660155157502834359066172340661762406617781

ee pretoze ked jeden vypadne/dokonci ujme sa slova dalsi, neprekrikuju sa cez seba

00000866015515750283435906617234066176240661778106618193

...no dobrá, může být, tedy i tak =)

00000866015515750283435906263233

15. 10. 2011 · 15:00 - 18:00
4AM / Galerie archiketury
Starobrněnská 18, Brno, Czech Republic

Manuel Schmalstieg (Ženeva)
Workshop: Listening to Data/ Naslouchání datům

Kolektivní čtení, jehož účastníci poskytnou svůj hlas pro dočasné ztělesnění pseudonymní internetové identity známé jako antiorp, integer =cw4t7abs, punktprotokoll, 0f0003 anebo m9nddfukc. Během pokusu budeme dešifrovat jeden z nejzvláštnějších a nejtajemnějších projevů raného World Wide Webu, budeme pracovat s výběrem fragmentů mailinglistů a hypertextových manifestů, roztroušených mezi lety 1995-2003 po celé infosféře. Na konci setkání budou mnohojazyčné hlasy zaranžovány do multi-trackového/cut-up hudebního díla.

Kontinuum N+N je název probíhajícího výzkumu a dokumentace Netoschky Nezvanovy, distribuované osobnosti, která sužovala globální elektronickou síť během let 1999 až 2003. Před tím, než se teleportovala do digitálního nevědomí polarizovala svými radikálními softwarovými experimenty postoje příslušníků online komunity.

Manuel Schmalstieg se ve své tvorbě pohybuje na hranicích mezi videem, performancí a softwarovým uměním. Po četných experimentech s animovaným filmem a zvukem, se nakonec vrátil k realtime videu. Performoval a vystavoval např. v Neue Kunst Halle St-Gallen, Plug.In (Basilej), iMal (Brusel), v Národním muzeu ve Skopě a na Bienále v Bukurešti. Mezi lety 2004 – 2007 se stal členem týmu pôle art/media, Fakulty nových médií na Vysoké škole výtvarných umění v Ženevě (ESBA). Je zakladatelem N3krozoft Media Group, mezioborového technologického think tanku posedlého paranoidními zkresleními reality.
http://ms-studio.net/

Přihlášky na workshop: sediva@dum-umeni.cz

----------------------------------------------------------------------------

Akce je součásti česko-německého symposia MEDIA – PERFORMANCE 3 na téma Paměť / 13. – 15. října 2011 / Dům umění města Brna +
4AM – Galerie architektury // Program: http://www.dum-umeni.cz/cz/vystava/media_performance_pame

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Knowledge Machines between Freedom and Control
==============================================
in cooperation with Theo Roehle (author from "Der Google-Komplex. Ueber Macht im
Zeitalter des Internets")
http://insight-turm.ima.or.at/?lang=en&page_id=12

7.10.
09:30 – 18:00 presentations (public, no registration needed, free entree)
09:30 – 11:00 Index: introductiory speech Katja Mayer, worklab presentations,
discussion
11:30 – 13:00 Algorithm: introductiory speech Malte Ziewitz, worklab
presentations, discussion
14:00 – 15:30 Profil: introductiory speech Astrid Mager, worklab presentations,
discussion
16:00 – 18:00 panel discussion moderated by Sonja Bettel
with Konrad Becker (World-Information.Org), Wolfgang Sander-Beuermann (suma-ev.de),
Astrid Mager, Katja Mayer, Theo Roehle, Malte Ziewitz, u.a.

Participants: Seppo Gruendler, Seda Guerses, Joris van Hoboken, Jogi Hofmueller,
Reni Hofmueller, Astrid Mager, Katja Mayer, Hannes Carl Meyer, Nicole Pruckermayr,
Ushi Reiter, Theo Roehle, Elisabeth Schimana, Martin Schitter, Malte Ziewitz,
IOhannes Zmoelnig

Today search engines constitute the most important form of access to information on
the Internet. And yet search engines are not neutral tools: embedded in economic,
political, and technical conditions, they are machines that produce certain kinds of
knowledge. This is why we must ask ourselves who makes search possibilities
available, how is this access to information influenced, and which demands have an
impact on technology development. The aim of the symposium is to take inventory of
the current Internet search cultures. Together scientists, artists, and engineers
will explore the paths online searches have taken in recent years and identify which
new developments can be coaxed out of this new charged realm between the poles of
freedom and control.

The initiative for this symposium arose out of two art projects: the insight-Tower a World Machine by IMA Institute of Media Archeology (Seppo Gründler, Nicole Pruckermayr, Elisabeth Schimana, Martin Schitter) that was commissioned by the Lower Austrian state exhibition 2011, and Modells ¬ the perfect profile, a LED Installation by Nicole Pruckermayr and Elisabeth Schimana that was commissioned by Art in Public Space, Lower Austria. The symposium was conceived in collaboration with Theo Röhle, author of the book Der Google Komplex. Über Macht im Zeitalter des Internets [The Google Complex. On power in the Internet age]. His research findings have influenced these projects strongly, producing the need to work through and explore in detail the continuously arising questions in conjunction with scientists, engineers, and other artists.

The topics:

1. Index

The first step in making the World Wide Web searchable is to compile and order an enormous amount of data so that it can be quickly and efficiently processed. Nowadays, this basic search infrastructure the index can only be built at an immense financial expense. The main index of the Internet belongs to Google, a private company with a monopoly and a large technological lead over its competitors. What consequences does this have on information access? Is it enough for a player to make a main index publically available? Could access to this index be controlled differently, e.g. by reliable programming interfaces, long-term contracts with research facilities or the like? Or do we need to start thinking about alternative indices? If there is to be something “beyond” Google in the near future. How would an alternative of this kind be set up – government-subsidized, peer-to-peer, specified indices for individual interest groups?

2. Algorithm

Search engines reduce a data universe of 2 trillion websites to the comprehensible number of ten results. This reduction is made possible by a multitude of algorithms selecting, sorting, ranking, and comparing behind the scenes. The advantage of these processes is obvious: without them the Web would be simply unnavigable. Just weeding out the spam would demand more time and cognitive capacity than users have at their disposal. Search algorithms allow self-determined action on the Internet but also contain aspects of control over this action. Even if we recognize some of these search algorithms and can guess at others, they still operate, for the most part, behind the scenes. It is therefore very important that we give thought to this prevailing monoculture of algorithms. What kinds of knowledge are being produced, which ones get lost? Is there enough transparency or should more criteria be revealed? Which experimental approaches are conceivable – can other regimes of visibility be created through alternative algorithms? Who is responsible for these developments?

3. Profile

More and more user data pours into the search geographic and temporal information is considered, individual search histories are analyzed, and if a page gets a lot of hits, it appears higher up in the list of results. Individual and group-based profiles make sure the results are adjusted to personal preferences. Access to knowledge is more and more effortless; the search engine seems to know what we want to know. These processes relieve the user, the Web adapts in real time to their demands and needs. Users are faced with fewer sorting and selecting decisions. What does this mean in terms of access to information a tendency toward focusing and concentration or rather toward the breaking up into hermetic spheres of information? From a company perspective profiles are interesting above all for commercial purposes they are useful in calculating, evaluating, and optimizing the probability of individual purchase decisions. Which correlations end up catching our attention through these “profiling machines” (Greg Elmer) and which ones get lost along the way? Can there be data mining beyond economic rationalities? What would a self-determined handling of profiles look like?

00000866015515750283435906208767

Liquid Books

Culture Machine
Culture Machine - The Digital Humanities issue

Gary Hall - Liquid, Living Books video

00000866015515750283435906208712

6. septembra zomrel vynalezca eBooks a zakladatel Projectu Gutenberg

Michael Hart was an ardent technologist and futurist. A lifetime tinkerer, he acquired hands-on expertise with the technologies of the day: radio, hi-fi stereo, video equipment, and of course computers. He constantly looked into the future, to anticipate technological advances. One of his favorite speculations was that someday, everyone would be able to have their own copy of the Project Gutenberg collection or whatever subset desired. This vision came true, thanks to the advent of large inexpensive computer disk drives, and to the ubiquity of portable mobile devices, such as cell phones.

gutenberg
boingboing
arstechnica

00000866015515750283435906064051

Pozývame na prezentáciu diplomových prác (Ateliér digitálnych médií) vo štvrtok v Záhrade o 20:00 (Záhrada - Centrum nezávislej kultúry, Námestie SNP 16, Banská Bystrica).

00000866015515750283435906006242

http://journals.culture-communication.unimelb.edu.au/platform/vol2_2.html

00000866015515750283435905988618

GUČA / GUCHA

up-pic-1019-1.nm.png

midl_space, Dom novinárov, Župné námestie 7, BA

Festivalové vydanie neformálnej prezentačno-diskusnej „session“, nadväzujúcej na úspešnú sériu v rámci programu A4. Plná guča nápadov a projektov z rôznych prepojených oblastí: staré aj nové médiá, umenie, technológie, aktivizmus...

MCLD alias Dan Stowell (UK, http://www.mcld.co.uk) prepája beatbox a livecoding (programovanie zvukového či obrazového výstupu v reálnom čase) a vytvára naživo čosi ako generatívny dubstep.
http://news.bbc.co.uk/2/hi/technology/8221235.stm

Skupina vizuálnych umelcov Tač.ka (BiH, http://lutacka.com), využíva komunikačné technológie na sociálnu a inštitucionálnu kritiku.

David Strang a Vincent van Uffelen (UK, http://www.davidstrang.co.uk, http://vincentvanuffelen.com) sa venujú zvukovým a multimediálnym site-specific inštaláciám.

Projekty Víctora Mazóna (ES/DE, http://www.victormazon.com) sú založené na analógovej syntéze zvuku aj obrazu, odchytávaní WIFI dát, či používaní biologického materiálu.

http://multiplace.org/2011/?id=1019

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http://www.vectorsjournal.org/

00000866015515750283435905899829

KINECT WORKSHOP / PERFO REMAKE
26-27 / MAREC / 10.00-?? / PROGRESSBAR HACKERSPACE, CUKROVÁ 14, BA

Lektor: Andrej Boleslavský (id yerythoo)
Organizátori: Atrakt Art a Progressbar

Od jesene je na našom trhu dostupný senzor Kinect pre hracie konzoly XBOX. Senzor sníma a dokáže rozoznať pohyby celého tela. Vďaka open source ovládačom je možné využitie tohto 3D snímača pohybu na umelecké účely. Cieľom workshopu je pod vedením lektorov naučiť sa pracovať s dátami, ktoré Kinect posiela a použiť ich na interaktívne ovládanie zvuku resp. obrazu v niektorej z aplikácií (Pure Data, MAX/MSP, VVVV, ppooll a i.). Výstupy zo série workshopov (REMAKY historických audiovizuálnych alebo zvukových performancií = teda posúvajúce staršie koncepty niekam) budú prezentované na festivale Multiplace 2011 (http://multiplace.org) v máji. Workshop je bezplatný, počet miest obmedzený na 10 účastníkov. Znalosti práce s niektorým z uvedených (alebo iných) softvérov vítaná, ale nie podmienkou: hľadajú sa okrem programátrov aj umelci, elektrohudobníci, tanečníci s nápadmi atď. Posledných 5 miest voľných, registrácie u id pikseliähky, alebo na slavo (at) 34 (dot) sk.

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Christakis also found that happiness may spread through networks; that an individual's happiness correlates to the happiness of their friends' friends, even if they don't know them but are only connected through a social network.
http://en.wikipedia.org/wiki/Nicholas_A._Christakis#Social_Networks_and_Health

00000866015515750283435905349607

pokracko http://www.youtube.com/user/TVSolidarita#p/c/7ED08626C5A820E0

00000866015515750283435905100024

Rule 34: If it exists, there is porn of it. No exceptions. kyberia.sk/id/5099969

00000866015515750283435905076427

SCIENCE AND ENVIRONMENT COMMUNICATION SECTION - CALL FOR PAPERS

ECREA's 3rd EUROPEAN COMMUNICATION CONFERENCE

Conference Theme: 'Transcultural Communication -- Intercultural
Comparisons'.

Hamburg, Germany, 12-15 October 2010 www.ecrea2010hamburg.eu

ECREA's Science and Environment Communication Section welcomes the
submission of proposals for papers, posters and panels for ECREA's 3rd
European Communication Conference to take place in Hamburg, Germany from
12 to 15 October 2010.

The 21st century faces unprecedented challenges in the environment and
science fields. The Science and Environment Communication section seeks
to foster a strong network of research in the wide area of science and
environment communication. Science is understood here in broad terms as
research that has its roots in the social sciences, humanities or
natural sciences, including technology. Environment is also understood
broadly as both the natural and the built milieu. Example of topic areas
that can be addressed include - but are far from restricted to - the
following:

* Media representations of science and the environment
* Political and commercial discourse on the environment
* Communication, democracy and scientific/environmental
governance
* Public engagement with science and the environment
* The dialogic, interactive communication of research-based
knowledge
* The discourse and politics of environmental activism

The section welcomes work that crosses a range of disciplinary
(communication/media/cultural studies, science and technology studies,
sociology, social psychology) and methodological
(quantitative/qualitative/empirical/theoretical) boundaries. For
activities of the section, please visit http://www.scienv-com.eu/

PROPOSAL SUBMISSION DEADLINE: 28 February 2010

Guidelines for submission

ECREA is pleased to accept proposals for individual papers, panels as
well as poster presentations. All proposals must be submitted to (and
will be reviewed) by one of the 17 ECREA thematic sections through the
conference website. www.ecrea2010hamburg.eu

Abstracts should be written in English and should contain a clear
outline of the argument, the theoretical framework, and where applicable
methodology and results. The preferred length of the individual
abstracts is between 400 and 500 words (the maximum is 500 words, i. e.
3,500 characters). Panel proposals -which should consist of five
individual contributions - combine a panel abstract with five individual
abstracts, each of which are between 400 and 500 words (i. e. max. 3,500
characters).

Participants may submit more than one proposal, but only one paper or
poster by the same first author will be accepted and programmed. First
authors can still be second (or third, etc.) author of other papers or
posters, and can still act as chair or respondent of a panel.

Deadline

All proposals should be submitted through the website no later than 28
February 2010. Please note that this submission deadline will not be
extended!

Proposals should be submitted through the conference website. Online
submission system opens 1 December 2009.

To avoid technical problems, early submission is strongly encouraged.

Timeline

1 December 2009: Online submission system open

28 February 2010: Deadline for online submission

End of April 2010: Notification of acceptance

15 September 2010: Deadline for submission of full papers (for online
publication)

Feel free to circulate this call to colleagues or any other research
networks that may be interested in submitting a proposal.

00000866015515750283435905052631

team z mit vyriesil darpa network challenge za 9 hodin. detaily zajtra.

00000866015515750283435905041628

ORGANIZED NETWORKS
Training Programme for Cultural Network Management Riga, December 3 - 5, 2009

By addressing issues of cultural sustainability with focus on networking, the Training Programme for cultural network management entitled "Organized Networks" will take place in Riga, December 3 - 5, 2009, gathering together representatives from more then 20 cultural organisations, new media centers and networks from Baltic, Nordic and other European regions, as well as Caucasus countries.

The Training Programme is co-organised by the RIXC, the Center for new media culture (Latvia) and partners from Finland (Pixelache festival, MARIN Association), Norway (Piksel, iolab, Atelier Nord), Iceland (Lorna), Sweden (Kultivator, C-Studio/Interactive Institute, New Media Meeting), Denmark (FieldWork, WindFestiva/Energy Academy), Lithuania (KCCC), Latvia (Association for Cultural NGOs), the Netherlands (Baltan Laboratories), Armenia (ACCEA/NPAK) and Georgia (Center for Contemporary Art - Tbilisi, GeoAir).

. . . Conceptual background

The current global crisis motivates us to think again of "how to remake the world" as many of methods used previously have turned out finite and unsustainable. Today, new approach in terms of both - design and production is urged nearly in all fields, including culture.

The idea of "networks" is not new, but it contains potential that hasn't been exploited to a great extent yet. New media networks have already had more than ten years of history. Translocal as well as local networking has played an important role in supporting operation of small-scale cultural organisations.

However, networks as such are not only virtual structures, there are real people and real technical infrastructures behind them. Our network culture today is also faced by sustainability issues. We are asking now: how to work out new strategies and methodologies for improving and developing more sustainable translocal cooperation practice ("organized networks")? And how to develop new (network-based) models for facilitating individual / local cultural organisations ("network nodes")?

The idea of "organized networks" (as proposed by Ned Rossiter, Geert Lovink) poses a question, can network be seen as a new form of institution, and considers that it is relevant not only to work out new methodologies for networking practice - i.e. tools and protocols (agreed ways to support activity in the network), but also to discuss 'collaborative value system' (dealing with issues such as funding, internal power plays, and the demand of "accountability" and "transparency", etc.).

The Training Programme will investigate what strategies "organized networks" can offer for sustainable development in cultural sector, and, in particular, in translocal cooperation. The Training Programme will specifically focus on evaluating the cultural network practice of Baltic-Nordic-EU region. This will include NICE and Pixelache festival networks, Baltic-Nordic artists residency programmes, Nordic funding structure, future development of new media art centers, their local and translocal cooperation strategies, etc. Ways how networks can create and sustain their own infrastructure will also be discussed.

Geographically, the Programme also aims to enhance European cultural area by drawing out new cultural cooperation axis connecting Nordic, Baltic and Caucasus regions on the Northern and Eastern border of Europe.

With regard to the content, the Training Programme will explore the potential of emerging interdisciplinary cooperation among the fields of arts, science and sustainable (information and energy) technologies, in order to set up a common ground for developing Art and Renewable Energy Network and to discuss possible future co-projects.
Seminar will also discuss how artists, new media activists, renewable technology researchers, social software developers, open source activists, designers of autonomous and alternative infrastructures who already work together, deal with sustainability issues, discussing how may cultural organizations and their networks benefit from these artistic innovations for building their future sustainability.

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. . . . . . . . . . . . . . . . . . .

PROGRAM

Thursday, December 3
Location: Spikeri, kim? Building, 3rd floor
19.30 - 21.00 Public Lecture: Erik Kluitenberg (the Netherlands) Design for Sustainable Immobility"

Friday, December 4 (Day 1)
Location: RIXC Media Space, 11. Novembra
krastmala 35 (entrance from Minstereja street)
10.00 - 14.00 [Work Session 1]: Networks (/ Organized Networks)
15.00 - 18.00 [Work Session 2]: Sustainability (/ Design for Resilience)
Location: Spikeri, kim? Building, 3rd floor
20.00 - [Open Programme] Screenings / Public Presentations
(Kultivator / Sweden, Baltan Laboratories / the Netherlands, One Minute Video Festival / Armenia, Survival Kit / LMC, Latvia, Serde / Latvia, Arctic Perspectives Project / Lorna, Iceland, etc.)

Saturday, December 5. (Day 2)
Location: RIXC Media Space, 11. Novembra
krastmala 35 (entrance from Minstereja street)
11.00 - 12.00 Michael Psallidas (Greece) Lecture "Intelligent Energy Networks"
12.00 - 14.00 [Work Session 3]: p2p Infrastructures (/ Energy Issues)
15.00 - 18.00 [Work Session 4]: Open Code Infrastructures (/ Social Media)
Location: Spikeri, kim? Building, 3rd floor
20.00: [Open Programme] Presentations
(MoTA / Slovenia; MARIN mobile residency project / Finland; GeoAir / Georgia; Homo Novous / JTI, Latvia; Nordic-Baltic Videoarchive Project / Noass / Latvia, Pixelache festival network / Finland, etc)
http://orgnet.rixc.lv/participants

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Najbližší Barcamp bude v sobotu 21. novembra 2009 od 9 - 17.30.

Kde: Centrum vedecko-technických informácií, Lamačská cesta 8/A, Patrónka - Bratislava
http://www.barcamp.sk/

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http://www.ethanzuckerman.com/blog/2009/04/08/tim-hwang-explains-net-memes-at-the-berkman-center/
http://www.hyperorg.com/blogger/2009/04/07/8058/

00000866015515750283435904778395

č. 13/09 – kamarádi v síti
datum vydání: 24.06.2009
http://www.advojka.cz/archiv/2009/13

0000086601551575028343590477839504804083

inak vacsina clankov v cisle o sietach je zamknuta, celkom zabavne, nie?

000008660155157502834359047783950480408304804691

vsak prave.. siete na to toto: http://sharebee.com/2792fc62

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