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laila0
sob0
jolly good0
mattoni0
Nesqwik0
afross0
ulkas0
k0fein0
mirex0
huno0
ea0
niekt00
binary riot0
popo0
vshivak1
mazhead1
didaktikskalica1
Scorpic1
VitaminC1
orwin4
mammothica5
s7
dusand7
Miyamoto9
rzelnik9
ah-choo9
dobso11
zrnk☉12
september13
lubomier.sk16
edvard gray17
milon17
xado17
darmozrac19
randlover19
XinthaX_Err0r21
ste21
maioiam[Lock...22
sibir22
dnes nie je ...22
mystickeprasa22
f0rk22
zola24
MIJ24
timko24
urza25
latimeria27
spirit30
bored2d3ath30
druha lapa duhu31
ni37
gomez38
famine39
Cudo41
deinende43
borg44
soc46
kljucevskaya49
vrq50
goatree50
NiO52
dita53
stick54
jevgenij54
fook54
IDENTITA54
Harvie57
srk57
mirny57
zviera58
mnemonic58
ygerg58
porkac58
ayn58
qiNa66
montynka66
killya72
k0zmonAut74
mzpx74
goldenslumbers76
steve_mcqueen76
mnagy76
sparx77
7egoManiac77
BRIAN WASHING77
Novinky, inspiracie, napady, technicka pomoc, projekty

Why?
Because we can



1bb98e44b525c18a8975318b4991cd5a.jpgdiy-robot-activities.jpegfablab-03-1024x683-1024x683.jpg


Sites - files, howtos, srcs
http://www.thingiverse.com/ (3d print, laser cut)
https://www.stlfinder.com



List of Hacker Spaces ➡️

List of Fablabs Spaces ➡️




Places:

SVK
Progressbar, Bratislava - kybca forum ; web
v01d, Kosice - web
Fablab, Bratislava - web
Komunitné centrum Bystro, Bratislava, SR, http://www.bystro.org/ , https://www.facebook.com/KCBystro/


CZ
Brmlab, Praha - web
Fablab, Brno - web
Base48, Brno - web
Labka, Ostrava - web

AT
Metalab, Vieden - web

HU
Kitchen Budapest KIBU - web

DE
C-Base, Berlin - web

FR
La Fabrique ENSAM, Montpellier - web ; fb
Le BIB, Montpellier - web

PT
AltLab, Lisbon - web, fb

AM
Iterate, Yerevan - web

Pls napiste do komentov vase a pridam (nazov, mesto, stat, web/fb/etc)




Chce niekto mastra?




00000101000635400833552908584941
SYNAPSE CREATOR
 binary riot      14.01.2019 - 15:06:43 (modif: 14.01.2019 - 15:07:37), level: 1, UP   NEW  HARDLINK !!CONTENT CHANGED!!
The user, in repeating the operation, which can neverbe slavish repetition.. the designs have no measurements and while you are making them you can make changes, variations.. when making the object the user becomes aware of the structural reasoning behind the object itself, therefore, subsequently he improves his own ability to asses the objects on the market with more critical eye.

Autopr_bassa1.jpg

download below

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binary riot
 binary riot      10.01.2019 - 14:59:30 (modif: 10.01.2019 - 14:59:49), level: 1, UP   NEW !!CONTENT CHANGED!!
Abstract
The Third Industrial revolution is a growing phenomenon characterized
by the diffusion of digital fabrication devices and the consequent democratization of
production. An alternative open-source fabrication ecosystem is gradually developing
and challenging the actual production logics and, as consequence, the social
organization. The discipline of architecture is a protagonist of this revolution. The
imminent diffusion of new productive systems, along with the development of
advanced software, allow new possibilities to connect the domains of design and
construction, and to realize components given a certain (algorithmic) description,
and to synthetically describe the physical environment and its behaviours within the
digital environment. The role of the designer in this phase is to extend the potential
of the CAD/CAM procedures, and re-appropriate the control in the design-toconstruction
process to once again engage in the actual manufacturing of building
construction and provide high performance, tailored architecture. The open network
of digital production supports new design collaborations and manufacturing logics
which are able to reconfigure the urban organization of the industrial system and the
interaction with citizens, as in the experimental planning of Fab City Barcelona.
The use of open-source software and hardware opens up new horizons for more
transparent and collaborative development of interventions at different scales and
throughout the various stages of the projects formation.

Keywords Digital fabrication Fab city Fab lab Open-source architecture
Peer production Third industrial revolution
https://warwick.ac.uk/fac/sci/wmg/about/chairman/hol/wmg_ptc_presentation.pdf

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binary riot
 binary riot      10.01.2019 - 12:32:12 (modif: 10.01.2019 - 12:36:41) [1K] , level: 1, UP   NEW !!CONTENT CHANGED!!
Chalanko si postavil funkcny boeing 777-9X



youtube channel: https://www.youtube.com/user/ramyfrah/videos?sort=dd&view=0&shelf_id=4

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binary riot
 binary riot      08.01.2019 - 16:07:42 (modif: 08.01.2019 - 16:07:57) [1K] , level: 1, UP   NEW !!CONTENT CHANGED!!
Hackerspaces are workshops organised with an open community model where people with technological interests can come together to socialise, collaborate, share and expand their knowledge. The last few years have seen an increased activity in this area including the founding of many new locations, increasing cooperation and discussions about the potentialities and the directions of hackerspaces. Similar spaces, however, called hacklabs, have existed ever since personal computers became widespread. Hacklabs are typically based on a political agenda. These new and old places are often seen retrospectively as part of a single trajectory and most of the discourse treats hacklabs and hackespaces as equivalent. Outlining the overlapping but still distinguishable genealogies of both hackerspaces and hacklabs will prove helpful in questioning the tendency to confound the two and can further contribute to the contemporary debates over this vibrant culture and movement. The article ends with a reflection from a strategic point of view how hackerspaces and hacklabs contribute to the production of postcapitalist subjectivities through their organisational dynamics. The findings are based on personal experiences and field work, mainly at a now-defunct hacklab in London (the Hackney Crack House) and a hackerspace in Budapest (the Hungarian Autonomous Center for Knowledge).
http://peerproduction.net/issues/issue-2/peer-reviewed-papers/hacklabs-and-hackerspaces/

figure3maxigas2.jpg

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binary riot
 binary riot      07.01.2019 - 15:44:23 (modif: 07.01.2019 - 15:54:08) [12K] , level: 1, UP   NEW !!CONTENT CHANGED!!
"This book is written from the viewpoint that there is some- thing basically wrong with the whole concept of patents and copyrights. If I design a toy that provides therapeutic exercise for handicapped children, then I think it is unjust to delay the release of the design by a year and a half, going through a patent application. I feel that ideas are plentiful and cheap, and it is wrong to make money from the needs of others. I have been very lucky in persuading many of my students to accept this view. Much of what you will find as design examples throughout this
book has never been patented. In fact, quite the opposite strategy prevails: in many cases students and I have made measured drawings of, say, a play environment for blind children, written a description of how to build it simply, and then mimeographed drawings and all. If any agency, anywhere, will write in, my students will send them all the instructions free of charge. I try to do the same myself. An actual case history may explain this principle better.
Shortly after leaving school nearly two decades ago, I designed a coffee table based on entirely new concepts of structure and assembly. I gave a photograph and drawings of the table to the magazine Sunset, which printed it as a do-it-yourself project in the February 1953 issue.

Almost at once a Southern California furniture firm, Modern Colour, Inc., 'ripped-off’ the design and went into production. Admittedly they sold about eight thousand tables in 1953. But now it is 1970. Modern Colour has long since gone bankrupt, but Sunset recently reprinted the design in their book Furniture You can Build, so people are still building the table for themselves."

&

"the best and simplest thing that architects, industrial designers, planners, etc., could do for humanity would be to stop working entirely. In all pollution, designers are implicated at least partially. But in this book I take a more affirmative view: It seems to me that we can go beyond not working at all, and work positively. Design can and must become a way in which young people can participate in changing society.
As socially and morally involved designers, we must address ourselves to the needs of a world with its back to the wall while the hands on the clock point perpetually to one minute before twelve. "

Book download here: https://kyberia.sk/id/8582103

Book nomadic furniture with designs - https://www.scribd.com/doc/190223054/Nomadic-Furniture

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binary riot
 binary riot      08.01.2019 - 12:59:39 , level: 2, UP   NEW
este toto si poznacim.. som zvedava ako by okomentoval boom fablabov a inych third spaces vo svete:

Probably the greatest political problem facing the world today is the difference among various regions as regards their technological development. Many parts of Europe and America are already leaving the mechanical age to enter the electronic era, while much of Africa, for example, is only beginning to be industrialised.

To some extent, the mechanical age seems linked to the age of colonialism. Both reached their apogee in the nineteenth century; both were based on the instinct for exploitation. The world was prospected to discover and cultivate raw materials with which to feed the machines. It rarely occurred to the ruling powers that the people whose soil produced these materials, and who sweated to bring them forth, should have any appreciable use and benefit from other products. Whenever the natives made any serious trouble, the usual response was to send a gunboat.

Up to 1950, there were four independent countries in Africa; today, there are more than forty. They are politically aware and highly nationalistic, but technologically extremely underdeveloped. Industrial output in all of Africa (except South Africa) is, in fact, less than that in Sweden alone. Unless foreign governments and private corporations unite with the African nations in a massive and long-range programme of industrial development, the social and political results will probably be explosive.

(pg 86)

&
There are many ways of working for the needs of under- developed and emergent countries. The simplest, most often employed, and probably shabbiest is for the designer to sit in his New York, London, or Stockholm office and to design things to be made in, say, Tanzania, Souvenirlike objects are then manufactured, using native materials and skills, with the pious hope that they will sell in developed countries. They do,
but for a short while only, for by designing 'decorative objects for the home' and 'fashion accessories', we merely tie the economy of that country to the economy of other countries. Only two possibilities remain: Should the economy of the wealthy Western country fail, the emergent country's new economic independence fails with it. Should the economy of the wealthy Western country continue climbing, the fashion likes and dislikes of its population will be manipulated even more, and consequently, the emergent country's new economic independence will fail also.

A second, slightly more effective way for the designer to participate would be to spend some time in the underdeveloped country developing designs really suited to the needs of the people there. This still begs the question of meaningful engagement.
A somewhat better way: to move the designer to the under- developed country and have him train designers there, as well as designing and working out the logistics of design needs for that nation. But even this is no ideal solution.
Ideally (as things stand now): the designer would move to the country and do all the things indicated above. But in addition, he would also train designers to train designers. In other words he would become a 'seed project' helping to form a corps of able designers out of the indigenous population of the country. Thus within one generation at most, five years at the least, he would be able to create a group of designers firmly committed to their own cultural heritage, their own life-style, and their own needs.

(pg 93)

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binary riot
 binary riot      07.01.2019 - 10:52:03 , level: 1, UP   NEW


roots..

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binary riot
 binary riot      04.01.2019 - 17:20:34 , level: 1, UP   NEW


In the city of Eindhoven (The Netherlands) the realization of the first of five planned 3D-printed concrete houses will start this year. The project is the world’s first commercial housing project based on 3D-concrete printing. The houses will all be occupied, they will meet all modern comfort requirements, and they will be purchased and let out by a real estate company.

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binary riot
 binary riot      04.01.2019 - 17:19:13 [1K] , level: 1, UP   NEW


TODAY, we sometimes feel powerless in front of the various crises of our times. TODAY, we know that answers lie in a wide mobilization of the human race. Over the course of a century, our dream of progress commonly called "the American Dream", fundamentally changed the way we live and continues to inspire many developing countries. We are now aware of the setbacks and limits of such development policies. We urgently need to focus our efforts on changing our dreams before something irreversible happens to our planet. TODAY, we need a new direction, objective... A new dream! The documentary Tomorrow sets out to showcase alternative and creative ways of viewing agriculture, economics, energy and education. It offers constructive solutions to act on a local level to make a difference on a global level. So far, no other documentary has gone down such an optimistic road... TOMORROW is not just a film, it is the beginning of a movement seeking to encourage local communities around the world to change the way they live for the sake of our planet.

NY Times review: https://www.nytimes.com/2017/04/19/movies/tomorrow-review.html?_r=0

You’ll want to see “Tomorrow” if you’re fuming over President Trump’s proposed slashing of the Environmental Protection Agency’s budget, his vow to exit the Paris climate accord or the fact that there’s a general perception (not just among politicians) that the effects of climate change are far-off. This French documentary convincingly explains why those views are gravely misguided, but its real triumph is its pervasive feeling of hope.

It’s refreshing to see concrete solutions at work, many of them at the grass-roots level. And the optimism of those countering ineffective politicians and big business is infectious. The filmmakers — the French actress Mélanie Laurent and the civic activist Cyril Dion — interview their subjects during an intercontinental expedition that takes them to Detroit and Todmorden, England, where urban gardening initiatives flourish; San Francisco, which has an enviable recycling and composting program; Normandy, France, where intercropping ensures that “each plant plays a role in the ecosystem”; a village near Chennai, India, whose decentralized democracy reflects the residents’ priorities; Copenhagen, with its renewable energy model and biking culture; and many points in between.


Ak su tu nejaki FR speakers, ARTE spravilo Sacree Croissance (Holy growth). Da sa pozriet tuna zadarmo

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SYNAPSE CREATOR
 aufhebung      02.01.2019 - 00:12:38 [1K] , level: 1, UP   NEW  HARDLINK
http://www.zero-books.net/books/coming-revolution


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SYNAPSE CREATOR
 bugy      28.12.2018 - 20:51:33 (modif: 28.12.2018 - 20:52:00) [4K] , level: 1, UP   NEW  HARDLINK !!CONTENT CHANGED!!
html>

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binary riot
 binary riot      21.12.2018 - 17:02:11 , level: 1, UP   NEW
"But Goodman focused on two main dangers when considering homes full of internet-connected devices. The first was, as she puts it, “the monetization of every move you make.” In an environment where every sip of milk, every hour of TV watched, and every board game played could be used to try to sell you something else—to say nothing of the potential bombardment of hyper-specific ads—people’s behavior might change. Maybe I want a glass of whiskey before going to bed, but I don’t want any systems logging it—would I pour one anyway? It’s not hard to imagine a “private drinking mode” or some sort of open-source app that could be used to conceal one’s true behavior from watchful devices."
https://www.theatlantic.com/family/archive/2018/12/smart-home-devices-data-privacy/578425/?fbclid=IwAR3qJEyUbNDyvv2_DpcVjTLHXYkWrU_ZcKqsJl7VDl05_mOqdEM5NJJ9phc&utm_campaign=the-atlantic&utm_content=5c1c92fc4b73850001a12a5b_ta&utm_medium=social&utm_source=facebook

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mirex
 mirex      22.12.2018 - 21:47:43 , level: 2, UP   NEW
Veru, riziko ked su devices 'too smart' + 'connected to server'. Myslim ze je skvele, ked aspon jedno z toho nie je pravda, hlavne to 'connected to server'.

00000101000635400833552908575662
SYNAPSE CREATOR
 binary riot      14.12.2018 - 15:52:22 (modif: 14.12.2018 - 16:02:02), level: 1, UP   NEW  HARDLINK !!CONTENT CHANGED!!
Download - Anderson, C. (2012). Makers: The New Industrial Revolution. New York: Random House.

00000101000635400833552908574287
SYNAPSE CREATOR
 binary riot      11.12.2018 - 13:02:47 , level: 1, UP   NEW  HARDLINK
Ktori white hats hackeri vam pridu najdolezitejsi v suvislosti so spolocenskym nie nutne komercnym progresom a ako?

Napr. Torvalds a linux, Stallman a GNU, a podobne..

00000101000635400833552908567711
SYNAPSE CREATOR
 mysak      22.11.2018 - 11:19:58 [43K] , level: 1, UP   NEW  HARDLINK
Jazdim dost po tme a chcel som upgradnut svetielko na prilbe pre lepsiu viditelnost

4,5 m EL wire za 2,60 €, 2 vecery prace, vyslo nad ocakavania
este trochu docistit hot glue a je to fit aj cez den

2mi1fsm.png

keby niekto checel, sharnem know-how

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binary riot
 binary riot      13.11.2018 - 09:31:17 (modif: 13.11.2018 - 09:31:42) [1K] , level: 1, UP   NEW !!CONTENT CHANGED!!
“I went to Noisebridge…. Once.”

henry_circuits_equipment_delivery.png

A lot of Double Union applications say something like this. That makes me super sad. It means we miss out on a lot of mindblowing coolness. Women go to hackerspaces because they sound amazing — full of equipment and materials to make things, people, and idealism about knowledge-sharing, open source and free culture and tech, like a fabulous grownup playground for learning and making. You get there and it’s all that.

But maybe it’s also kind of dirty and cluttered and there’s no toilet paper, and there is some creepy guy who won’t stop talking to you about how he wants to teach you things that you already know, while he backs you into a corner. There’s that level of harassment. Then there’s a lot of behavior that’s at a more “e-textiles” level, that’s irritating, annoying, where we have pressure to prove ourselves or our authenticity, where our knowledge and capacities are undermined. The message is, there’s this cool culture of invention, making and learning, but we aren’t expected to be part of it. Not all women experience this but quite a lot of us do and it’s a well known pattern in general in science, tech, engineering and math. When we know something deeply technical about materials and invention, then it gets gendered as something women do and therefore as not “counting,” as trivial. When we demonstrate knowledge about domains that are male-dominated, we are treated as intruders or impostors.

Unfortunately, there’s also much more direct violence against women to worry about in our spaces. After several years as a member of Noisebridge, I started the Anarchafeminist Hacker Hive, a mailing list and series of meetings that met at Noisebridge and another Bay Area hackerspace, sudo room. That was in response to several incidents of harassment, and the presence in these spaces of known misogynist, racist serial harassers, as well as people convicted of violence against women. We discussed how “hacking” or hacker ethics might change in the context of feminism. But we also discussed what we could do about creeps in our hackerspaces. It’s a constant stress that women like me are treated as “the sexual harassment reporting system”. We’re always be fighting upstream just to be seen as human beings.

So part of our movement to make feminist spaces is because we’re annoyed. We’re pissed off. What if we weren’t always fighting bad behavior, having to justify our hacker-ness, feeling like unicorns, being tokenized, having to be armored up against harassment?
https://modelviewculture.com/pieces/the-rise-of-feminist-hackerspaces-and-how-to-make-your-own

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binary riot
 binary riot      12.11.2018 - 10:56:51 [16K] , level: 1, UP   NEW
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fb post

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lakerko
 lakerko      13.11.2018 - 08:30:06 , level: 2, UP   NEW
nahernee

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hauso
 hauso      12.11.2018 - 14:09:54 , level: 2, UP   NEW
velmi pekneeee. :)

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binary riot
 binary riot      12.11.2018 - 10:43:52 , level: 1, UP   NEW

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binary riot
 binary riot      12.11.2018 - 10:41:58 (modif: 12.11.2018 - 10:42:07), level: 1, UP   NEW !!CONTENT CHANGED!!

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binary riot
 binary riot      10.11.2018 - 13:50:40 [1K] , level: 1, UP   NEW
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nadhera

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dudel
 dudel      11.11.2018 - 23:49:38 , level: 2, UP   NEW
brutal!!!

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binary riot
 binary riot      21.09.2018 - 17:17:52 [5K] , level: 1, UP   NEW

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smrtak
 smrtak      22.09.2018 - 22:56:03 , level: 2, UP   NEW
ppc!
najskor som kukal, ze co to za chyby ale uz chapem ;)
vyzera to paradne, teda niektore modely

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binary riot
 binary riot      14.09.2018 - 14:13:14 (modif: 14.09.2018 - 14:14:13), level: 1, UP   NEW !!CONTENT CHANGED!!
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Project website: http://fabcat.gregor-design.eu/

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binary riot
 binary riot      13.09.2018 - 10:24:50 , level: 1, UP   NEW

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binary riot
 binary riot      06.09.2018 - 15:01:47 (modif: 06.09.2018 - 15:04:03) [1K] , level: 1, UP   NEW !!CONTENT CHANGED!!
social.jpg
roadmap.PNG

https://opensourcerover.jpl.nasa.gov/

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binary riot
 binary riot      01.09.2018 - 12:51:50 (modif: 01.09.2018 - 12:59:45) [2K] , level: 1, UP   NEW !!CONTENT CHANGED!!

https://www.steelcase.com/silqtalks/?utm_source=linkedin&utm_medium=post&utm_campaign=silq-talks&utm_content=skylar#

What if if a table or a bridge could build itself? If researchers at the self-assembly lab at MIT have their way, parts will someday put themselves together. Skylar Tibbits shows Bloomberg what a self-assembling future could look like. (Source: Bloomberg)



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SYNAPSE CREATOR
 binary riot      18.08.2018 - 10:39:48 (modif: 18.08.2018 - 11:06:01), level: 1, UP   NEW  HARDLINK !!CONTENT CHANGED!!
Sorry za late reply, cestovanie, choroba, work..

Tak jasne, je to asi aj ucel a mierka veci ktore robime.
Ja sa venujem architekture a dizajnu, obcas nejake hracky ci educational tools pre deti a mladez. V tom je pre mna 3D tlac ako hlavny zdroj produkcie momentalne nepouzitelna.


Portfolio mojich designs&makes: https://daliagregorova.wixsite.com/portfolio/digital-fabrication


Pozri si makes k tomuto - https://www.thingiverse.com/thing:2815627/makes :) Typek sa tam hodiny jebe s 3D printom, meni filament, ledva sa mu to tam vojde.. na laseri - 2 minuty. Spravila som to za hodku polku synovej triedy.
Ak by som chcela nieco pevnejsie pouzijem plexiglass, ale takto si to decka mohli namalovat a je to recyklovatelne
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Naposledy som si spravila toto. Citali sme knizku s malym o pomoci prirode, povedal ze chce spravit budku pre vtaciky. Sadli sme ku compu 5 minut v Rhino, 3 minuty Slicer, 15 minut nesting :), 20 minut laser, hodka skladania s malym. Kolko by to trvalo na tlaciarni?
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Pripadne domek pre macky, pouziti, tradicnych tools by ti to trvalo storocie
vyrezanie - 2 hodky, zmontovanie 10 minut
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Teddy bear lamp, navrh - 15 minut, vyrezanie&engraving 15 minut, montaz 15 minut..
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Mam aj kamosov z jedneho hackerspacu kde robia veci pre nevidiace a slabozrake deti.
Tlacia aj tlacou niektore veci. Vacsinu tools vsak chodia robit k nam na laser. Je to rychle, mozu ich vyrobit viac a staci to.

Ale zas moj iny dobry kamos si tlaci cele dni rozne modely, kostry dinosaurov, secret boxes a neviem co, potom sa s tym hrajka dalsich sto dni a je happy (obraba, smirgluje, maluje, lakuje) :) Takze hej, beriem, moze to byt velka tool pre niektorych, pre mna je to zatial len tool pomocna





+ Tiez nemozem tlacit cele dni, kedze vo fablabe sa na noc masiny vypinaju, a asi by som ani ani nechcela. Pocula som uz par celkom scary storiek ked ludia nechali bezat tlac a vratili sa domov ku poziaru alebo znicenej tlaciarni ci printu samotnemu :)


ad inaccuracies - pouzivam ultimaker 2 extended. Akoze viem to vybalancovat, treba vzdy nechat tolerance etc. Ale deprimuje ma to, rovnako ako warping a ine deformacie. Pisala som how-to pre jedneho klienta o tom ako optimalizovat tlac atd, cize poznam tipy a triky, no aj tak je to deprimujuce :)

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ziman
 ziman      12.08.2018 - 08:11:42 [1K] , level: 1, UP   NEW
ctjb tento rok nie je?