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FOLK



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  • 0000010100063528000635830389368008333063
    Synapse creator 23.04.2017 - 20:24:56 level: 1 UP [1K] New Hardlink
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    or.lock 15.02.2017 - 22:16:40 level: 1 UP New
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    Synapse creator 14.02.2017 - 13:18:26 level: 1 UP [2K] New Hardlink
  • 0000010100063528000635830389368008163828
    Synapse creator 08.06.2016 - 19:54:48 level: 1 UP [6K] New Hardlink
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    Vic Mars - The Land and The Garden [Clay Pipe]
    Land and gardens. Can you get any more pastoral than that combination? Possibly with the addition of a disgruntled farmer and flagons of ale, and suddenly we’ve landed in The Shire. I like to think that Frodo and Sam would have approved of this study in the sound of their homeland, what with its flutes and Vaughan Williams worship, had they taken those music critic jobs instead of saving the world.
    [♫] yt

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    Eerie Wanda - Hum [Beyond Beyond Is Beyond Records]
    While the word “eerie” isn’t the adjective that springs to mind most readily when listening to “Hum,” there are several others eager to take its place – beautiful, striking and unforgettable among them. Throughout the album, Eerie Wanda displays a somewhat magical ability of using somewhat standard song structures as the skeletons of their sound, but replacing the dead marrow of those bones with a unique and enlivening mixture of dizzy joy and sparkling sonic lucidity.
    [♫]bandcamp

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    Constantine ‎– Day Of Light [self released]
    Follow the sound of echoing flutes and sleeping bells; past the willows, far over the hill. Disappear on a journey down the forest path, where kings and magicians are hiding in the trees. Beware the darkness of the forest and enjoy the vibrant colors of the land; harpsichords and Mellotrons as your guide. Come wander til the day has vanished and a new day begins.
    [♫]bandcamp

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    Éloïse Decazes & Delphine Dora - Folk Songs Cycle [Okraina]
    Folk Songs is a cycle of traditional songs (or songs of folk inspiration) from various countries selected and arranged (or even composed) by the italian composer Luciano Berio in 1964 for his wife, American singer Cathy Berberian. Almost fifty years later, Éloise Decazes & Delphine Dora took the liberty to re-record them their own way.
    [♫]bandcamp

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    Glenn Jones - Fleeting [Thrill Jockey]
    One of Fleeting’s underlying themes is the past and the way places and people resonate in our lives. Jones reflects on the brevity — the fleetingness — of all things, while also looking towards the future.
    [♫]bandcamp

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    Emily Jones and The Rowan Amber Mill - The Book Of The Lost [Millersounds / Owltextures]
    Some histories are too dark to share with the bright, careless world out here. They should be read in here, in the shadows, for it is in the shadows that they were born… Come closer, sit down, and we will tell you a tale from…
    [♫]bandcamp

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    Sharron Kraus - Friends and Enemies; Lovers and Strangers [Clay Pipe]
    The chamber folk that soundtracks these tales deserves special mention; perfectly and sensitively pitched and never over frilly but instead earthy and with a rough beauty. It is at once unique and also oddly familiar, as if part of some ancient collective unconscious.
    [♫]bandcamp

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    My Autumn Empire - Dreams of Death and Other Favourites [Wayside and Woodland]
    A collection of dark, dreamlike alt-folk, windswept pop and hauntological post-rock. Inspired by the writings of Robert Aickman & M.R. James, Nigel Kneale TV plays from the 70's and the haunted sense of place experienced when returning to the village where Holton grew up.
    [♫]bandcamp

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    Howling Lasons - Midnight Folk [Wool-E Tapes]
    Describing their sound perfectly as ‘nouveau occult psychedelia’, Howling Larsons ably merge and collage exquisite acid folk, dark psychedelia and experimental ambience, with both Trench and Loftiss having a close and masterful acquaintance with these genres in their other bands and guises (and if you haven’t come across the incredible and atmospheric Gray Field Recordings or the intricate psych folk of Orchis before do delve in without hesitation).
    [♫]bandcamp

  • 0000010100063528000635830389368008129239
    or.lock 10.04.2016 - 20:40:23 (modif: 10.04.2016 - 20:41:49) level: 1 UP [6K] New Content changed
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  • 0000010100063528000635830389368008090749
  • 0000010100063528000635830389368008016579
    ddts 14.10.2015 - 11:37:05 level: 1 UP New
    moj novy objav :
    http://danielandthemoravians.bandcamp.com/track/wheel-king

    Tornadoe, tidal wave, sandstorm, flood
    Typhoon, earthquake, avalanche of mud
    All evil deeds rewarded with a wave of his hand
    There is a Buddha walking in the Human lands

    end organ harvesting falungong.sk
  • 0000010100063528000635830389368007906887
    Téměř přesně po roce se vrací Diane Cluck, nejen pro nás jedna z nejzásadnějších písničkářek současnosti. Její domácky pojaté nahrávky kulminovaly asi nejpovedenějším albem Oh Vanille/Ova Nil, znovuvydaném labelem Important Records roku 2005, které opakovaně potvrzuje svůj název jako fakt. Po dlouhých sedmi letech se loni připomenula s ep Boneset u stejného vydavatelství a navazujícím turné, v rámci něhož vystoupila i v Potrvá spolu s cellistkou Isabel Castellvi.

    Zpěv, který magnetizuje svou nenucenou hravostí, lehkostí a čistotou, byl dřív obvykle doprovázený skrytě pulzující kytarou, která by sama o sobě normálně utrhla větší kus vaší pozornosti nebýt pravě fascinujícího vokálu. S novou deskou se projev Diane na první poslech zdánlivě jeví civilnější, ale melodická uměřenost (ať už vokální nebo instrumentální) dává v její hudbě průchod neokázalé eleganci a síle samotných skladeb. Pro letošní sólové turné byl avizovaný záměr experimentovat víc i s jinými objekty než jen kytarou.

    V době boomu nezávislých písničkářů na přelomu milénia byla Diane nepochopitelně spíš ta nepovšimnutá v pozadí, přestože se o ní její mnohem slavnější kolegové vždy vyjadřovali téměř s až posvátnou úctou a především přestože patřila mezi ty nejoriginálnější a s nejsilnější výpovědí. Pro Devendru Banharta, který ji zařadil i na svou kompilaci Golden Apples Of The Sun, byla „nejlepší písničkářkou v celém New Yorku“ a „byl šťastný, že žije ve stejné době, jelikož jí může vidět hrát živě“. Biancu Casady z CocoRosie, jejíž vydavatelství Voodoo Eros zase vydalo Dianino album Countless Times, její zpěv „dostává do země nekonečných možností“, „má z něj husí kůži, rozbourá a rozpláče ji“. Antony Hegarty vnímá Dianu jako „virtuózní talent s naprosto podmanivým zvládnutím svého hlasu jako extatického nástroje“. Tak by se dalo pokračovat ještě chvíli.

    Původně ohlášený houslista Daniel Meier v roli hosta nakonec kvůli vážným problémům nevystoupí. Místo něj bude ovšem hodně zajímavé trio Gustav Tutre & Katka Zochová & Euchrid Escrow, kteří se v této sestavě objevili před mnoha lety na bratislavském Next festivalu. Indície napovídají kytaru, harfu a digitální postprocessing.

    Ve čtvrtek 14.5. v kavárně Potrvá (Srbská 2) od 20:00. Vstup v předprodeji za 250,-, na místě 300,-
    https://www.facebook.com/events/436634883176571/
    http://dianecluck.info/
    https://soundcloud.com/tutre-et-escrow/
    http://www.letmo.net/productions/
    http://www.potrva.cz/

  • 0000010100063528000635830389368007888431
    chav 14.04.2015 - 17:10:59 level: 1 UP New
  • 0000010100063528000635830389368007888183
    posun 14.04.2015 - 14:22:44 (modif: 14.04.2015 - 14:57:32) level: 1 UP [51K] New Content changed
    z tohoto sa velmi vytesujem. dominikin (moja fiance ;) prvy videoklip a v nom mrte super animacia.




    moar: www.dominikafricova.sk

    edit: kedze je tu aj vela ludia z hudobnej branze, tak je kazdy konstruktivny feedback velmi vitany
    more children: (12)
  • 0000010100063528000635830389368007859367
    Synapse creator 08.03.2015 - 12:00:31 level: 1 UP [5K] New Hardlink
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    uloz.to
    , 320kbps mp3, folk, bandcamp

    beautiful solitary and rich record filled with faith and disbelief and the resurrection of trust and dreams (hilton als)

    more children: (2)
  • 0000010100063528000635830389368007823753
    Odi 28.01.2015 - 17:58:05 level: 1 UP [1K] New

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    fo-lk lo-fi






  • 0000010100063528000635830389368007822903
    Odi 27.01.2015 - 23:14:21 level: 1 UP New
  • 0000010100063528000635830389368007820924
    Synapse creator 26.01.2015 - 10:43:51 (modif: 11.02.2015 - 08:59:11) level: 1 UP [11K] New Hardlink Content changed
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    V.A. Fore Hallowe'en [Devon Folklore Tapes]
    [1] Something wicked this way comes; Folklore Tapes continue their journey into the darkest alcoves of Britain’s folkloric roots and bring us this compilation which journeys back to the origins of Halloween and finds the Celtic festival Samhain. Coming complete with a pumpkin seed, the Time Team of the independent music world have successfully built a one-of-a-kind soundtrack for All Hallows Eve.
    [2] bleep
    [3] sparksinelectricaljelly / acloserlisten

    FTCCI.jpg

    Áine O'Dwyer - Music For Church Cleaners Vol. I and II. [MIE Music]
    [1] Here is an Irish lapsed Catholic mind,” the album’s description reads, “(as Cranley told Dedalus) ‘supersaturated’ with the religion it rejects,” hinting at the somber “wit” that transports the charged instrument of orthodoxy into a framework for more humble, homespun reality, where the sonorous tones of organ improvisation mix freely with the miscellaneous, but ultimately no less interesting sounds of cleaning.
    [2] bleep
    [3] heathenharvest / normanrecords / secretdecoder

    FTCCI.jpg

    The Soft Moon – Deeper [Captured Tracks]
    [1] With eerie, immersive tracks like the dogged “Far” and slow, beautifully melancholic “Wasting” (the first track written for Deeper), the album is a penetrating portrait of Vasquez as he wrestles thoughts of suicide, vulnerability and what it means to heal. By facing the most hopeless parts of himself without illusion and putting his past demons to bed, the creation of Deeper was an intense personal exploration of existence for Vasquez — old wounds were forcibly opened, deep anger and paranoia were manipulated into song — and he did not emerge unchanged.
    [2] youtube
    [3] factmag / claim

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    Umpiu + irr. app. (ext.) - Observation Affects The Outcome [Monochrome Vision]
    [1] Three years in the making and finally ready for the world, this is the first collaboration between irr. app. (ext.) and the experimentally-oriented Umpio project of Finnish Underground musical whirlwind Pentti Dassum (Kroko, Astro Can Caravan, Buddha Mind Big Band, Deep Turtle, Transkaakko, etc). Created in alternating stages between Hillsboro, Oregon and Turku, Finland using nothing but the power of the mind and a pair of teakwood chopsticks.

    1175089_201954636643090_392633758_n1.jpg

    V.A. - Mountains Of Tongues: Musical Dialects Of The Caucasus [LM Dupli-cation]
    [1] Perhaps more than any other artform, music has the capacity to render language barriers irrelevant. Instruments, traditions and tunings may differ, as will the sociopolitical circumstances underlying any given artist's work, but what's often so striking about encountering music from distant regions of the world is how emotion, poetry and a desire to communicate cut right through its otherwise unfamiliar structures and syntax.
    [2] midheaven / thequietus

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    Enchanted Hunters - Peoria [Antena Krzyku]
    [1] Now here’s a great album for those who want to listen to something psychedelic, but not “doing backflips into the mouth of a black hole” psychedelic. The Polish band Enchanted Hunters channels some of the best vibes of the classic psychedelic folk moments with angelic, crystalline vocals and catchy, bucolic melodies into a slightly trippy, flute-driven happy go lucky psych without any sudden damaged guitar solos or sensory overload. Just a quiet, gentle ride through some almost pop vibes.
    [2] youtube
    [3] weedtemple

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    Dariush Dolat-Shahi ‎– Electronic Music, Tar And Sehtar [Dead-Cert Home Entertainment]
    [1] Respectfully and subtly combining traditional Persian instrumentation, Modular synth exercises, field recordings and tape manipulation – this debut release from 1985 by Dariush Dolat Shahi bridges multiple cultural and stylistic voids and vindicates the vinyl buying market’s recent disparate interests in bygone Eastern experimental rock music, radio-phonic experiments, musique concrete, sound design, neo-tantric meditational records and other early accidental acidic electro murmurs.
    [2] youtube
    [3] folkways / finderskeepers / themagneticgarden

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    V. A. - Traces Three [Recollection GRM]
    [1] The main idea behind the Traces series is to excavate short, forgotten or ignored pieces of music from the GRM Archives. This third volume, gathering pieces from before 1980, features the works of four composers from very different geographical and musical backgrounds. In addition to echoing the extraordinary vitality of musical experiments from a bygone era, Traces aims to give some audibility to music pieces which, in some instances, are being released for the very first time.
    [2] soundcloud
    [3] squidco / dustedmagazine

    19078.Full.jpg

    Caethua - Red Moon [Bathetic]
    [1] The mysterious and enchanting CLARE HUBBARD strides slowly out of the forest, guitar in hand ready to make her presence felt, finite and powerful, with 'Red Moon'. While 'Red Moon' can be classified as a folk record, it packs a punch. This is a record that swells as well as it swaggers, bringing to mind classics such as Karen Dalton and Judee Sill. Clare has brought a wonderful album to the table, folky and weird and psychedelic. This album stands head and shoulders above a lot of so-called folk-rockers.
    [2] soundcloud
    [3] bathetic / clearspot

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    V.A. - Let No One Judge You [Honest Jon's]
    [1] Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 — with futuristic, overlapping trumpets and exquisite clarinet improvisation — through to a hauntingly soulful Hafez setting by Moluk Zarrabi of Kashan, from 1933.
    [2] soundcloud
    [3] honestjons



    more children: (7)
  • 0000010100063528000635830389368007781279
    Odi 11.12.2014 - 01:29:57 level: 1 UP [2K] New

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    ROBBIE BASHO's music rises from deep spiritual pools. Dive in and find yourself transfigured. Listen and become a cave dwelling Hindu ascetic; an embroidered, Sufi sage; a weather changing medicine-man. Or, if you're lucky, you might become Basho himself: 12-string guitar wizard, transcendent singer, majestic composer, virtuosic whistler, and ecstatic channel. Robbie Basho, little known shaman of America the beautiful.

    Between 1965 and 1984 Basho composed 16 records of highly innovative folk/world music. In the beginning of his career Basho worked alongside John Fahey to create a new guitar tradition, the "American Primitive".

    mediafire


    more children: (1)
  • 0000010100063528000635830389368007754833
    Synapse creator 10.11.2014 - 13:46:03 (modif: 10.11.2014 - 13:49:42) level: 1 UP [6K] New Hardlink Content changed
    artist | 
    Dean Blunt
    album | 
    Black Metal
    genre | 
    Dean Blunt

    Dean_Blunt_Black_Metal_Album_Artwork.jpg

    youtube | 

    playlist | 
    1 Lush 4:02
    2 50 CENT 2:06
    3 BLOW 2:35
    4 100 3:25
    5 HEAVY 2:02
    6 MOLLY & AQUAFINA 3:47
    7 FOREVER 13:04
    8 X 5:04
    9 PUNK 2:38
    10 COUNTRY 2:15
    11 Hush 1:19
    12 Mersh 3:04
    13 GRADE 4:44
    info | 
    Dean Blunt has held quite the poker face. Several years into his career, he's still smoke and mirrors to most people. Even The Redeemer, which dealt with brutally honest heartbreak, could feel impenetrable, like it was keeping us at arm's length. Blunt's sampling style is part of that. The borders between borrowed and original material are completely non-existent, and the dreamlike feel of his music means it doesn't fit into any one style or era. Black Metal (named for the material, not the genre) isn't different in that regard, but it's more sanguine, bringing us in for something more private and profound.

    ----------------------

    FYI: 7.12. zahra v ramci sprievodneho programu PAF v Olomouci.
    See you there

    more children: (2)
  • 0000010100063528000635830389368007747059
    riderka 01.11.2014 - 13:47:32 level: 1 UP [3K] New
    Avant-dreampop, alternative folk a psychedelica v komornom prostredí kaviarne/galérie Gramec na Židovskej. V stredu 5. novembra tam zahrá dánsky projekt Own Road.

    140908_DP_Valerianswing_FB_ima.jpg

    Melodická krása, veselosť a hravosť, ale aj smútok či úzkosť, to všetko je počuť v skladbách dánskeho one-man-projektu Own Road. Hudobne sa pohybuje niekde medzi alternatívnym folkom pripomínajúcim Ameriku, avant-dreampopom a psychedelicou. Own Road aka Simon Skjødt Jensen vo svojej tvorbe veľmi rád používa rôzne nástroje od “obyčajnej” gitary, cez ukulele a banjo po exotickejšie nástroje a efekty, ktoré kombinuje s loopovanými vokálmi.

    Možno si ešte spomínate na koncert Mute Swimmera v Oblude. Ak sa vám vtedy páčilo, je veľká pravdepodobnosť, že sa tak stane aj tentokrát. Aj keď sme o tom vopred ani netušili, Own Road a Mute Swimmer minulý rok dokonca spolupracovali na spoločnom albume Old Tricks.

    facebook | soundcloud | bandcamp

    Streda | 5.11. 2014 | GRAMEC
    Židovská 3, Bratislava
    fb event | last.fm event

    real something



  • 0000010100063528000635830389368007562342
    Synapse creator 15.04.2014 - 11:54:11 level: 1 UP [1K] New Hardlink
    artist | 
    Stinka
    album | 
    Krrrva! [indies scope, 2013]
    genre | 
    spievajuca akordeonistka, folk, chanson, alternative

    stinka_201311040043200.jpg

    youtube | 

    bandzone | 
    http://bandzone.cz/stinka
    playlist | 
    01 Slunce svítí 03:19
    02 Paškál a Škrpál 04:31
    03 Singl zelí 03:43
    04 Instrumentálka 02:02
    05 Okříšky 03:01
    06 Je to láska 03:27
    07 Cizí slova 02:54
    08 Kainův kuplet 04:33
    09 Nasty Places 03:31
    10 Kůň 03:22
    11 Černé mračno 04:11
    12 Momo 02:04
    13 Nosohltan 02:29
    14 Zavátá koliba 05:03
    15 Čekni děti 03:20
    info | 
    pre tych, co maju radi Raduzu, Vobezdud, 4.5.2014 hra v Prahe pred Carlou Bozulich(constellation)...
    -
    @hisvoice
    @indies
    more children: (1)
  • 0000010100063528000635830389368007524368
    artist | 
    Linda Perhacs
    album | 
    The Soul Of All Natural Things [asthmatic kitty, 2014]
    genre | 
    folk, singer/songwriter

    2014LindaPerhacs_TheSoulOfAllNaturalThings280214.jpg

    youtube | 

    playlist | 
    1. The Soul Of All Natural Things
    2. Children
    3. River of God
    4. Daybreak
    5. Intensity
    6. Freely
    7. Prisms of Glass
    8. Immunity
    9. When Things Are True Again
    10. Song of the Planets
    download | 
    info | 
    Linda Perhac's Parallelograms was created in the heart of hippy country, LA s Topanga Canyon, by a dental hygienist who was inspired by nature and by the cultural revolution going on around her. When Parallelograms was finished, it sounded like a masterpiece, but the label had pressed it so poorly, sales were non-existent. Obscurity beckoned.

    But in the internet age obscurity can be discreetly transformed into a kind of niche immortality. By 2003, Parallelograms had become a cult album.

    And slowly, Perhacs began making music again. In 2010, she connected with a new generation of LA musicians attuned to her vision, including Fernando Perdomo and Chris Price, both accomplished musicians and producers in their own right. The trio began recording the eclipse song, "River Of God," and what became a new album s title track, "The Soul Of All Natural Things."

    The Soul Of All Natural Things, for all its apparent serenity, is also a subtly polemical album, full of exhortations to take a step out of our frantic everyday lives...
    asthmatic kitty
    bandcamp
    more children: (3)
  • 0000010100063528000635830389368007437717
    out yonder 22.12.2013 - 21:13:37 level: 1 UP New
    http://neurotrecordings.blogspot.sk/2013/12/neurot-recordings-confirms-songs-of.html

    TVZII_cover-e1387399490497.jpg

    "It happens every now and then. I'll be in a bar, some guy will declare that Townes Van Zandt is his favorite, settle in to a well-rehearsed, perfectly tuned and meticulously finger-picked rendition of .................whatever. I'm gone, I can't take it. I'm not buying anybody's domesticated, presentable, un-slurred, smiley faced and emasculated version of the man...."
    Nate Hall
  • 0000010100063528000635830389368007329141
    Synapse creator 16.09.2013 - 22:40:14 level: 1 UP [2K] New Hardlink
    bill-callahan-dream-river-album-500x502.jpg
    uloz.to
    , 320kbps, folk/country, label

  • 0000010100063528000635830389368007325876
    Odi 14.09.2013 - 02:24:55 level: 1 UP New
    kto ma gitaru?
    more children: (1)
  • 0000010100063528000635830389368007313012
    Synapse creator 03.09.2013 - 16:59:55 level: 1 UP [3K] New Hardlink
    artist | 
    Volcano Choir
    album | 
    Repave
    genre | 
    indie rock, folk, bon iver like stuff

    141742.jpg

    youtube | 
    http://www.youtube.com/watch?v=_MqA0a5iw5k
    info | 
    justin vernon z bon iver a kamosi vydali druhy album
    more children: (1)
  • 0000010100063528000635830389368007310620
    Synapse creator 02.09.2013 - 01:34:46 level: 1 UP [2K] New Hardlink
    artist | 
    Jonathan Richman
    album | 
    I, Jonathan 1992
    genre | 
    rock'n'roll, garage rock, singer/songwriter

    i_jonathan_richman.jpg

    youtube | 

    playlist | 
    1 Parties In The U.S.A 4:42
    2 Tandem Jump 2:10
    3 You Can't Talk To The Dude 2:49
    4 Velvet Underground 3:23
    5 I Was Dancing In The Lesbian Bar 3:40
    6 Rooming House On Venice Beach 5:04
    7 That Summer Feeling 6:02
    8 Grunion Run 2:31
    9 A Higher Power 3:02
    10 Twilight In Boston 4:08
    download | 
    info | 
    Jonathan Michael Richman (Natick, Massachusetts, May 16, 1951) is an American singer, songwriter and guitarist. In 1970 he founded The Modern Lovers, an influential proto-punk band. Since the mid-1970s, Richman has worked either solo or with low-key, generally acoustic, backing. He is known for his wide-eyed, unaffected and childlike outlook, and music that, while rooted in rock and roll, often draws on influences from around the world.

    Jonathan Richman began playing music and writing his own songs in the mid-1960s. In 1969 he moved to New York City, where he spent time living on the couch of The Velvet Underground’s manager and working odd jobs while trying to break in as a professional musician. Failing at this, he returned to Boston. Having moved back, he formed The Modern Lovers. Other notable members of the group were keyboard player Jerry Harrison and drummer David Robinson, who later joined Talking Heads and The Cars, respectively.

    A lo-fi effort cut in a California basement, I, Jonathan returns Richman to the full band setting and manic diversity that recent conceptual efforts have forsaken. Sloppy and wild, the album is a blast from start to finish; among its many concerns are skydiving ("Tandem Jump"), sea life (the surf instrumental "Grunion Run"), nightclubbing ("I Was Dancing in a Lesbian Bar"), and hero worship ("Velvet Underground").
    http://www.vaporrecords.com/catalog/a_jon_richman.html
  • 0000010100063528000635830389368007309515
    Synapse creator 31.08.2013 - 15:08:30 level: 1 UP [9K] New Hardlink
    11l3791.jpg

    Älgarnas Trädgård ‎– Framtiden Är Ett Svävande Skepp, Förankrat I Forntiden [Silence]
    [1] What would happen if the Krautrock scene happened in Sweden, rather than in Germany? Can you imagine what would happen if bands like Ash Ra Tempel and Amon Düül II were Swedish and included Nordic folk influences? Then Älgarnas Trädgard would that answer!
    [2] vimeo
    [2] itslostitsfound
    [4] [dl]

    theouterchurch_comp_600.jpg

    V.A. – The Outer Church [Front & Follow]
    [1] Open-minded but exacting, The Outer Church gospel is rooted in the teachings of hauntology but roams further than that, mapping out an eldritch, eccentric new iteration of England’s Hidden Reverse.
    [2] soundcloud
    [3] textura / wire
    [4] [dl1]

    pop-1280-imps-of-perversion.jpg

    Pop. 1280 - Imps of Perversion [Sacred Bones]
    [1] Woven together with stories of lust, sexual confusion, temptation, and debauchery, Imps forms a tight web of manic synth-punk, bad-trip acid jams and bludgeoning industrial beats.
    [2] youtube
    [3] tinymixtapes / sacredbones / loadandquiet / consequenceofsound
    [4] [dl1] / [dl2]

    down+to+the+silver+sea.jpg

    V.A. - Down To The Silver Sea [Gecophonic Audio Systems]
    [1] Trippier than necking a thermos of mushie tea with Bridlington gypsies, it's a lucidly eloquent soundtrack to the ephemeral English summer and all its wonders … whether flower pressing in the garden, hallucinating in the summerhouse, fainting inside stifling sites of historical interest… or even sea-cruise thalassophobia complications.
    [2] youtube
    [3] activelistener / blissout
    [4] [dl1]

    2013TySegall-sleeper600G210613.jpg

    Ty Segall – Sleeper [Drag City]
    [1] Ty Segall explores your mind, coming through his own head to slip inside with thought sharing. Ty engineered this one from beginning to end, and his ultimate sonics were accessed with a freaky hand and an instinct for what makes something perfect. ‘Sleeper’ flows more colours through your mind’s eye than ever before, pushing the walls of the universe out just a micron further, making everything heavier and lighter all at once, to allow for one moment that will live forever.
    [2] youtube
    [3] popmatters / consequenceofsound / drownwedinsound / thelineof
    [4] [dl1]
    / [dl2]

    BEB_RedRiding220813.jpg

    Dickon Hinchliffe – Red Riding In The Year Of Our Lord 1980 [Blackest Ever Black]
    [1] It immediately throws you off – the music is uncomfortable, sinister and it builds to a devastating climax. It’s evil music but it is not ugly – far from it, it’s malignantly beautiful.
    [2] soundcloud
    [3] factmag / quietus / hmxradio
    [4] [dl]

    krok004-secondedn.jpg

    V.A. – There Is Something Wrong With England [Krokodilo Tapes]
    [1] He sits clasping his knees, holding his face low down between them, he watches black slugs, he makes a little den of his smells and small thoughts, he thinks up a figure far away on the tors waving, so if something does happen, if night comes down and he has to leave the path, then we've seen each other, somebody knows where we are.
    [4] [dl]

    mg58_cover.jpg

    Henry the Rabbit – Earthen Birth By [Moon Glyph]
    [1] The circular plucking and evolving melodies consist of ukulele, glockenspiel, shakers, organ and whatever other ephemera befit the tunes. Time flows like water and the melodic passages on Earthen Birth By embody that ne’erending, babbling stream.
    [2] vimeo
    [3] moonglyph / decoder / acloserlisten / imposemagazine
    [4] [dl]

  • 0000010100063528000635830389368007280431
    Synapse creator 06.08.2013 - 19:35:24 level: 1 UP New Hardlink
    ak by ste niekto mali nieco z toho, tak by som bol velmi vdacny:

    BPB & Cairo Gang - Island Brothers (2011)
    BPB & Matt Sweeney - Must Be Blind (2011)
    BPB - There Is No God (2011)
    BPB - Quail & Dumplings (2011)

    Dakujem
    more children: (1)
  • 0000010100063528000635830389368007217303
    Synapse creator 14.06.2013 - 00:07:57 level: 1 UP [1K] New Hardlink
    2013NancyElizabeth_dancing200513.jpg
    uloz.to
    , 320kbps, alt pop/folk, bandcamp

    So I decided to stay in my small, cold flat in Manchester, where I have a little piano. It’s not a posh piano but it is unique and precious. Hung on the wall above my piano are my guitars, and strewn around the room are a load of other instruments and amps.
    I was in here, on my own. No money to do anything and no reason to be anywhere. Staying awake throughout the night, with my headphones on, I created Dancing.
    As I captured the sound of my instruments, I also became transfixed by vocal harmonies. I used my voice as a synthesizer, laying down layer upon layer of vocals. I didn’t mean to make an entire record, but I did. (nancy)

    more children: (1)
  • 0000010100063528000635830389368007173592
    Synapse creator 13.05.2013 - 15:52:29 (modif: 13.05.2013 - 15:53:16) level: 1 UP [4K] New Hardlink Content changed
    artist | 
    Dean Blunt
    album | 
    The Redeemer
    genre | 
    weird/pop/folk/dean blunt

    DEAN-BLUNT-REDEEMER-575x575_medium_image.jpg

    lastfm | 
    http://www.last.fm/music/Dean+Blunt
    youtube | 

    playlist | 
    01. I Run New York
    02. The Pedigree
    03. Demon
    04. Flaxen
    05. V
    06. The Redeemer
    07. Seven Seals Of Affirmation
    08. Walls Of Jericho
    09. Make It Official
    10. Need 2 Let U Go
    11. Dread
    12. Y3
    13. Papi
    14. Mmix
    15. All Dogs Go To Heaven
    16. Imperial Gold
    17. Predator
    18. Brutal
    19. Par
    info | 
    Less impressionistic and more song-based than last year’s The Narcissist II, the album sees Blunt turning his hand to folk, psych-pop and balladry. This being Blunt, however, it’s far from easy listening: there’s a complex narrative about a troubled man in a troubled relationship, mediated through Blunt’s unassuming croon and some deeply strange interludes. (FACT)
    more children: (3)
  • 0000010100063528000635830389368007149375
    Synapse creator 24.04.2013 - 13:41:39 (modif: 24.04.2013 - 13:42:17) level: 1 UP [2K] New Hardlink Content changed


    As a teenager, US guitarist Glenn Jones saw Hendrix, Beefheart and The Stooges live, and was spat on by Janis Joplin, but it was the music of John Fahey that really expanded his mind

    Glenn Jones with John Fahey on the former’s key fob from the Kowlon tiki bar, 1989

    After discovering Jimi Hendrix’s Axis: Bold As Love in 1967 (described as “a guided tour of Hieronymous Bosch’s Hell” in the weekly supermarket supplement that came in our local newspaper), I began hounding my father for a guitar. I was 14.

    Consider that just a few weeks earlier I’d brought home Herman’s Hermits – Their Greatest Hits, and you have some idea how quickly things were changing for me, how many doors were opening and how big the world suddenly seemed. A year later I was taking in Big Brother & The Holding Company from a front row seat at a movie theatre in Jersey City, New Jersey on a rainy Tuesday night, and gloried in Janis Joplin’s spittle spattering my face.

    I saw Hendrix play for nearly three hours at what is reckoned to be one of the best concerts he ever gave: the second show with Band Of Gypsys on New Year’s Day 1970 at the Fillmore East. Just a few weeks later at Ungano’s in New York City, Captain Beefheart & The Magic Band blew my little mind – the group was more aggressive, more blindingly intense than any I’ve ever heard, before or since. By the early 70s I was writing letters to Sun Ra and Harry Partch. In 1973 I saw The Stooges at Max’s Kansas City on the second date of the Raw Power tour, and a few months later attended the reopening of the Kitchen at its new location at Broome and Wooster Streets in New York, which was celebrated with two nights of the music of John Cage, with both the composer and Merce Cunningham in attendance. Musical epiphanies were not only possible then, they were practically unavoidable.

    I first heard the music of John Fahey in my Life Drawing class at Virginia Commonwealth University in Richmond in 1971, where I was a first year Fine Arts student. I made a mental note of the name, and on spring break went nosing through the John Fahey bin at Sam Goody’s in Paramus, New Jersey, one of the record stores that had sustained me through my high school years. After poring over the five or six Fahey albums they had in stock, I bought The Great San Bernardino Birthday Party And Other Excursions. I suspect my choice had something to do with the cover. It gave off that whiff of obscure inscrutability that had so drawn me to ESP records by The Godz, James Zitro and The Holy Modal Rounders, records that looked as otherworldly as they sounded.

    I didn’t know it at the time, but The Great San Bernardino Birthday Party was Fahey’s most experimental album to date. The recordings, made between 1962 and 65, find John toying with knotty dissonance (“Guitar Excursion Into The Unknown”), backwards tapes (“Knotts Berry Farm Molly”) and open tunings (the title track is in open G minor). Also included were recordings of Fahey’s guitar accompanied by flute (“900 Miles”), veena (“Sail Away Ladies”) and church organ (“Will The Circle Be Unbroken”). But it is the 19 minute title track that is the album’s outstanding feature. A kind of musical stream of consciousness made up of 11 discrete parts separately recorded and then cobbled together (with all the seams still showing), it unfolds very slowly, as so many of Fahey’s works do, its heavily reverbed opening chords giving way to syncopated picking. The ascending/descending pattern that begins after 38 seconds still gives me goosebumps, as does the section played with a slide beginning at 10'25".

    What was Fahey trying to convey with this piece? Resignation? Triumph? Fear? At the time, Fahey said (tongue in cheek?) that it that expressed “...futility, a hopelessness and general existential despair complicated by ontological absurdity.” In the 90s, when Fahey was routinely trashing his earlier works, he called it “a histrionic, disorganised outpouring of blather”. Whatever; here commenced my mania for the music of John Fahey.

    What didn’t I get from John? From him, I discovered open tunings. I began playing with my thumb and two fingers instead of with a pick. I began trying to syncopate the way he did. I fell in love with the prewar blues, gospel and hillbilly recordings that had so influenced him. More importantly, my preconceptions about what was required to play music were shattered. After hearing Fahey, I understood that all you needed was the will to play: you didn’t have to be in a group; you didn’t need lots of expensive equipment; you didn’t need to write lyrics or sing; and you didn’t need formal musical training. One person with an instrument could tell stories.

    I finally met John in 1978. We became friends, writing to each other and talking over the phone. He played Boston once or twice a year and stayed with me whenever he was in town.

    In 1989, I formed Cul De Sac. We covered John’s “The Portland Cement Factory At Monolith, California” on ECIM, our debut album. I vividly recall playing our version of the song for John (with much trepidation) in my car, in the middle of a rain storm in the parking lot of the Kowloon, a tiki bar-cum-restaurant-cum-comedy club in Saugus, Massachusetts. As the windows grew foggier, Fahey made me play the track again and again.

    And, in the way things happen, this led to Cul De Sac’s 1996 collaboration with John, The Epiphany Of Glenn Jones, an album Fahey titled and which I’ve written about at length elsewhere.

    Today, more than four decades after that trip to Sam Goody’s, I am one person with an instrument trying to tell stories. John’s music still makes me feel like no one else’s. There are things about it I still don’t understand. I still puzzle at some of what he came up with, and at some of the choices he made. But after The Great San Bernardino Birthday Party nothing was ever the same.  Glenn Jones’s My Garden State is released this month on Thrill Jockey

    98 | The Wire (May 2013) | Epiphanies
  • 0000010100063528000635830389368007132917
    fds 12.04.2013 - 03:02:05 level: 1 UP [1K] New
    A este jedna vyborna starsia vec.. tento rok im vychadza na Prophecy novy album
    C%C3%B3pia+de+119880.jpg
    Genre: neofolk dark folk acoustic

    more children: (1)
  • 0000010100063528000635830389368007132915
    fds 12.04.2013 - 02:51:27 level: 1 UP [1K] New
    Som sem zabludil po dlhej dobe.. tak mi napadla jedna starsia skvela vec
    csr114cd.jpg
    Genre: neofolk storyteller noir dark folk
    http://www.splinterskin.com/witnesses.html

  • 0000010100063528000635830389368007119100
    artist | 
    Wham Bam Bodyslam
    album | 
    down here + split EP 2012
    genre | 
    country, folk, punk, americana

    3574838893-1.jpg

    youtube | 

    bandcamp | 
    down here
    playlist | 
    Wham Bam Stomp
    Off The Beaten Track
    Your Smile
    My Time, My City
    Elterleinplatz
    Omani Sunset Waltz
    Story Of Solomon
    Down Here
    Mighty Day
    PC-Elite
    Stuck In Between
    Golden Line
    Landla
    +
    All The Way
    Something Something
    Brand New Lungs (Swingin' Utters cover)
    download | 
    info | 
    ..viedensky punkovy banjo band, niekde medzi Chuckom Raganom a Dasom fon Flasom ;)